I'm always interested to hear from anyone else in Sydney Australia who shares my interests in HP and Tektronix test gear from the 1960s through 1990s. Especially anyone who used to be involved in maintaining this gear professionally.
The reason I need this exact rack in particular, is that I have five of them and space in the row for one more, but only one of these. My workshop room just happens to fit six of these in a row along one wall, but not an inch wider. Due to their design these have very little excess size over the 19" equipment they contain. Each rack frame is just 536mm wide. That's only 25mm more on each side of a 19" rackmount instrument's mounting brackets. Modern racks are never that compact, so they absolutely don't fit in the one remaining rack space in my lab.
Also, it would be nice if the row of racks matched.
These racks consist of diecast top and bottom frames, and four extruded aluminum vertical struts. The frames bolt to the struts with large hex-head machine screws; 4 each at top and bottom. Getting those undone requires a really big allen key - 5/8" A/F.
Then there are various essential small bits such as the nut-strips that slide into the vertical struts. (They take UNF #10 screws.) Also the top cover. There are sometimes side sheets, but they're optional. If I can find one locally with them, great. Otherwise, doesn't matter.
I need one of these so badly I'd even pay for shipping from the USA. It would have to be disassembled and packed in two parts (the frames in one, the struts in the other), but my US reshipper could handle the resulting large parcels.
Update: I did find one, but it's missing the diffuser glass. See A 1970s High Speed Optical Detector.
Here's an example; the facia of a Tek 7000 series scope plugin. The effect is very nice, it's a smooth satin hard surface, with absolutely no surface height variation due to the inks. Like all anodized aluminum it's very hard-wearing, nearly as tough as glass. Dirt, gum and stains can be easily cleaned off without marking the surface at all. The inks are embedded inside the surface, so are as tough as the whole surface.
I'd like to find out everything I can about how Tektronix actually manufactured these, since I want to see if I can achieve something similar myself at home.
Simple anodizing is no problem, and staining the surface between the surface layer growth stage and then sealing it is easy too. But how exactly did they apply fine image detail to the porous intermediate surface, and what dyes are compatible with the anodizing process?
I have some ideas to be tried out once I get my anodizing setup going, but speaking with someone who knew how it was actually done would be very useful. Also to document this almost lost art for historical interest. There doesn't seem to be any instrument manufacturer today using this process, which is a shame. There is 'photo-anodizing' available for advertising and signs (and gravestone plaques!) But just making beautiful, hard-wearing instrument front panels seems to be 'too hard' these days.